SOC 27-2011Canada NOC 53121Displacement risk

Actors: AI exposure and career outlook

Actors (SOC 27-2011) sit at the 54th percentile for measured AI exposure among the 342 occupations tracked here, measured from a composite of Microsoft Research and Anthropic Economic Index telemetry. An estimated 28% of tasks are already automated and 54% are being reshaped rather than replaced — both modelled figures, not direct measurements. Of the Claude usage observed in this occupation, 51% follows an automation pattern and 49% an augmentation pattern — close enough to even that the grouping below should be read loosely, which places it in the Displacement risk group: the routine layer of this work is being automated outright. The judgment layer is not, so the move is to own more of it. In Canada the role maps to NOC 53121 (Actors, comedians and circus performers), and ESDC's COPS 2024–2033 outlook for that unit group is balance.

Figures last updated 2026-06. Every number on this page is labelled measured or modelled; where a source has no coverage for this occupation, it says so rather than showing a zero.

Key facts

SOC code
27-2011
Canada NOC 2021
53121
TEER level
3 — College / Apprenticeship <2 yrs
COPS outlook
Balance

What the measurements actually say

Three independent studies measure AI exposure for this occupation directly. The two percentages below them are ours, modelled from those measurements.

Measured and modelled AI exposure figures for Actors
MetricValueProvenance
AI applicability13%Measured — Microsoft Research, from 200,000 Copilot conversations classified against O*NET work activities.
Observed AI usage10%Measured — Anthropic Economic Index, share of tasks observed being performed with Claude (CC-BY 4.0).
Academic AI exposure56th percentileMeasured — Felten-Raj-Seamans AIOE index across 774 occupations; the index underlying Statistics Canada's Canadian estimates.
Automation-pattern usage51%Measured — the share of observed Claude usage in this occupation where the task is handed over rather than iterated on (Anthropic Economic Index).
Augmentation-pattern usage49%Measured — the complement of the row above; the two sum to 100% by construction. This is the pattern where the person stays in the loop.
Estimated task automation (modelled)28%Modelled from this occupation's measured telemetry composite, mapped through anchors calibrated to Anthropic's published aggregate findings. Our estimate, not per-occupation telemetry.
Estimated task reshaping (modelled)54%Share of tasks where AI acts as co-pilot rather than replacement. Modelled from the measured telemetry composite, calibrated to BCG's published aggregate reshaping rates. Our estimate.
Exposure band: Reshaping

AI is transforming how this work is done. Professionals who adapt their workflows will thrive; those who don't face increasing competition.

In Canada: NOC 53121

Actors map to NOC 53121 — Actors, comedians and circus performers at TEER 3 (College / Apprenticeship <2 yrs). ESDC's COPS 2024–2033 projection for this unit group is Balance.

Mapped via Statistics Canada's official SOC 2018 → NOC 2016 → NOC 2021 correspondence tables. TEER is the second digit of the official NOC code, so it cannot disagree with it.

What this job actually involves

These are the O*NET task statements for Actors— the work itself, as reported by people doing the job — grouped by the work activity each task belongs to. Showing 12 of 18, core tasks first.

The exposure figures above are for the occupation as a whole. We do not have a per-task measurement: no published dataset tells us which of these specific tasks AI is doing. Read this as what the job is made of, not as a ranking of what is at risk.

6 of these 12statements do carry one measured signal: Anthropic publishes, per O*NET task, how much of the observed Claude usage on it looked like automation rather than iteration. Those are marked below. It still says how people use AI on that task, not how much of it AI can do — and the unmarked statements carry nothing rather than inheriting the occupation's figure.

Microsoft's applicability score was itself produced by classifying Copilot conversations against the O*NET work-activity catalogue — the same catalogue these groups come from. The published file gives one number per occupation, not one per activity, so we can tell you that 13% of this occupation's work activities are covered by observed AI usage, but not which ones.

Performing for or Working Directly with the Public · 7 tasks

  • Attend auditions and casting calls to audition for roles.

    Core task · Importance 4.8/5 (O*NET)

  • Work closely with directors, other actors, and playwrights to find the interpretation most suited to the role.

    Core task · Importance 4.8/5 (O*NET)

  • Portray and interpret roles, using speech, gestures, and body movements, to entertain, inform, or instruct radio, film, television, or live audiences.

    Core task · Importance 4.7/5 (O*NET) · 81% of observed AI use on this task is automation-pattern

  • Collaborate with other actors as part of an ensemble.

    Core task · Importance 4.6/5 (O*NET) · 82% of observed AI use on this task is automation-pattern

  • Perform humorous and serious interpretations of emotions, actions, and situations, using body movements, facial expressions, and gestures.

    Core task · Importance 4.6/5 (O*NET) · 86% of observed AI use on this task is automation-pattern

  • Read from scripts or books to narrate action or to inform or entertain audiences, utilizing few or no stage props.

    Core task · Importance 3.7/5 (O*NET) · 83% of observed AI use on this task is automation-pattern

  • Tell jokes, perform comic dances, songs and skits, impersonate mannerisms and voices of others, contort face, and use other devices to amuse audiences.

    Supplemental task · Importance 3.0/5 (O*NET) · 67% of observed AI use on this task is automation-pattern

Getting Information · 2 tasks

  • Study and rehearse roles from scripts to interpret, learn and memorize lines, stunts, and cues as directed.

    Core task · Importance 4.7/5 (O*NET)

  • Learn about characters in scripts and their relationships to each other to develop role interpretations.

    Core task · Importance 4.6/5 (O*NET)

Documenting/Recording Information · 1 task

  • Write original or adapted material for dramas, comedies, puppet shows, narration, or other performances.

    Supplemental task · Importance 2.8/5 (O*NET) · 44% of observed AI use on this task is automation-pattern

Communicating with Supervisors, Peers, or Subordinates · 1 task

  • Work with other crew members responsible for lighting, costumes, make-up, and props.

    Core task · Importance 3.6/5 (O*NET)

Selling or Influencing Others · 1 task

  • Promote productions using means such as interviews about plays or movies.

    Supplemental task · Importance 3.0/5 (O*NET)

Task statements and work activities from the O*NET Database by the U.S. Department of Labor, Employment and Training Administration (USDOL/ETA), used under CC BY 4.0. O*NET® is a trademark of USDOL/ETA. USDOL/ETA has not reviewed or approved this material.

That's the average. Is this you?

Everything above describes Actors as a whole. Three questions, and nothing is stored or sent.

Where are you in your career?

What does your week mostly look like?

Is your employer deploying AI?

Where the leverage is

Upskill in AI-driven automation (e.g., Make, Zapier) and generative tools in your domain. The opportunity is to pivot from execution to directing AI-augmented workflows.

AI is transforming tasks rather than replacing entire jobs. Routine scheduling and communication automate, but human decision-making remains critical.

Canada transition step

Master workflow automation platforms (e.g., Make, Zapier, CRM integrations) to double your output and position for fractional leadership roles.

This guidance is written per exposure band — three texts across all 342 occupations, framed on the ILO's transformation-versus-displacement distinction. It is editorial guidance for the reshaping band, not an occupation-specific research finding about actors.

Sources for this occupation

Only the sources that hold data for actors are listed. A study that does not cover this occupation is not cited here.

  • Microsoft Research — Working with AI (Tomlinson et al., arXiv:2507.07935): Measured AI applicability, from 200,000 anonymised Copilot conversations classified against O*NET work activities.
  • Anthropic Economic Index: Measured observed AI usage per occupation, from Anthropic's open per-SOC dataset (CC-BY 4.0).
  • Felten, Raj & Seamans — AI Occupational Exposure index: Measured academic exposure percentile; the index underlying Statistics Canada's Canadian AI-exposure estimates (Mehdi & Morissette, 2024).
  • O*NET Database 31.0 (USDOL/ETA), CC BY 4.0: The occupation's task statements and work activities, verbatim. Joined on SOC 2018 with no crosswalk — O*NET-SOC is built on SOC — and carrying no claim about which tasks AI touches.
  • Anthropic Economic Index — collaboration split (release 2026-06-26, CC-BY 4.0): Measured share of observed Claude usage following an automation rather than an augmentation pattern. This is the second axis of the grouping above.
  • Statistics Canada NOC 2021 concordance: Official SOC 2018 → NOC 2016 V1.3 → NOC 2021 V1.0 correspondence tables. TEER is the second digit of the resolved code, so we report it only where the concordance gave a single candidate.
  • ESDC COPS 2024–2033: Projected labour-market assessment per NOC 2021 unit group, from the Canadian Occupational Projection System open dataset.
  • BCG — AI Will Reshape More Jobs Than It Replaces (April 3, 2026): Published aggregate reshaping rates, used to calibrate our modelled percentages. The per-occupation figures here are our estimates, not BCG's data.

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